E2AC Fiscal Sponsorship
We make it easier for filmmakers to create social impact entertainment.
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3% Fiscal Sponsorship
For real. 3%. Comes with 24/7 real time access to your funds and P&L. A cool app. The whole 9.
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No equity.
Keep that pie intact because we’re not taking a slice. It’s your film, you deserve all of it. Enjoy your just des(s)erts.
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No charges.
No, we don’t want your money. No submission fee. No annual fee. No membership fee. No joke.
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No credits.
Everyone says we’re crazy. But we don’t ask for a credit. (We won’t turn one down though, if you insist. ) SIE > IMDB.
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Staff Up
We know lots of talented people. Need a good DP in Dakar? An AC in Atlantic City? Whatever the need, we probably know someone for you.
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Legal stuff
Because you didn’t spend 3 years of your life on a doc just to learn what Fair Use means. Let’s hook you up with our lawyers who can help answer basic questions.
Our Projects
E2AC’s Fiscal Sponsorship was born out of convenience and love for filmmakers - not to make money. All of our films are referral-only from our production and nonprofit partners. Here are just a few.
DOCUMENTARY: ANOTHER BODY
ANOTHER BODY is a British-American documentary film, directed, written, and produced by Sophie Compton and Reuben Hamlyn with E2AC partner WILLA and founder Elizabeth Woodward. Executive Producers and Co-Executive Producers include Jenny Raskin, Lauren Haber, Geralyn White Dreyfous, Bill & Ruth Ann Harnisch, Ann Lewnes, Maiken Baird, Mason Orfalea, Chris & Heidi Stolte, Lisa & Matthew Sonsini, Gloria Zhu, Stanley Tang, Kelsey Koenig, Nina & David Fialkow and Meryl Metni.
It follows a college student who seeks justice after finding deepfake pornography of herself online. ANOTHER BODY had its world premiere at SXSW, where it won the Special Jury Award for Innovation in Storytelling.
DOCUMENTARY: MAESTRA
Following the buzz of Tár, Maggie Contreras’ documentary MAESTRA follows several women from around the world as they compete in the only all-women competition for conductors. This ultra-competitive field is riddled with long-standing issues of sexism, and each participant is approaching the contest with fierce tenacity.
Produced by Maggie Contreras, Neil Berkeley, Emma West, Melanie Miller, Lauren Lexton with Executive Producers David Letterman, Tom Keaney, Jonathan Ginns, Jamie Wolf, Nathalie Seaver, Diane Becker, MAESTRA premiered at the Tribeca Film Festival.
IMPACT CAMPAIGN: TIGRE GENTE
Spanning over mist-covered jungles in the Amazon to bustling wildlife markets in China, the gripping documentary TIGRE GENTE follows the storylines of two passionate people fighting to stop the jaguar trade before it’s too late.
From director Elizabeth Unger and producer Joanna Natasegara, TIGRE GENTRE premiered at Tribeca Film Festival and played at BANFF Mountain Film and Book Festival (Winner, Best Documentary), Mountainfilm Festival, Telluride, and many others. It was acquired by National Geographic Channel.
DOCUMENTARY: MY BEAUTIFUL STUTTER
My Beautiful Stutter follows five kids who stutter, ages 9 to 18, from all over the United States and all walks of life. After experiencing a lifetime of bullying and stigmatization, they meet other children who stutter at an interactive arts-based program created by The Stuttering Association for the Young.
My Beautiful Stutter has won numerous awards at film festivals around the country. Produced by Michael Alden (The King’s Speech, Grey Gardens), with Believe Ltd, E2AC, and Executive Producers Paul Rudd, Mariska Hargitay, Peter Hermann, and George Springer.
SHORT FILM: sometimes, i think about dying
Just over 12 minutes long, sometimes, i think about dying is an Oscars-shortlisted, Sundance-selected drama short that "achieves a gentle yet masterful command of tone and craft, offering a deeply affecting character portrait of a woman mired in social isolation and depression."
Following its premiere at the 2019 Sundance Film Festival, SITAD was selected to tour the country with the prestigious Sundance Shorts, played in 70+ festivals, won multiple awards and glowing reviews from the New York Times, Hollywood Reporter, and IndieWire, and was named a Vimeo Staff Pick. E2AC provided funding to cover production and distribution. E2AC’s first official film project, it was shortlisted for an Academy Award.